Breaking a paragraph up, and aligning it
A paragraph broken into lines, set four ways: left, right, centred, justified.
Four samples set twice each, once plain and once with a single setting turned on: joined letters, small capitals, figures that hang below the line, and pairs moved closer together.
A font file holds more than one drawing per letter. It says which letters look better drawn joined, which figures are meant to rise and fall around the small letters, which letters have a small capital of their own, and how close each pair of drawings should stand. This page shows all four, each sample set twice with only that one setting between the two lines.
Nothing is turned on unless it is asked for, so a document made before any of this existed comes out exactly as it did. What a setting does is whatever the font put there, and a font that offers nothing for it draws what it always drew. The two closing lines are read off the font itself — how many drawings the joined letters save, and how many points closer the last line is set.
The same document is written twice, once in each language. Both files are shown in full, with the code coloured on the server, and can be copied in one click.
The same document is written in each of these languages. Open the one you want to look at.
This document weighs 18,181 bytes.
The team wrote this example after measuring the documents above, so there is no earlier figure to set beside it. See every document measured.
A paragraph broken into lines, set four ways: left, right, centred, justified.
A word too wide for its column: left whole, or cut to the edge.
A justified column set twice: the long words breaking at their soft hyphens with a hyphen shown, or left whole, and a figure a no-break space keeps together.
A justified column set twice: file paths and compounds running past the edge with no break points, then wrapping where a break after a slash or a hyphen is allowed.
One line of statuses set twice: in a house font alone, where the marks it has no glyph for come out as empty boxes, then with a second font behind it that draws them.
One long passage poured into three columns, each fitting the lines its height allows and handing the rest to the next.