A multi-page invoice table
An invoice table, laid out across as many pages as its lines need.
A catalogue whose first column is a picture rather than text: four pictures of very different sizes and proportions, each fitted whole and undistorted into the cell the table gives it and standing against a different corner of it, claiming no width from its column and no height from its row.
A product catalogue whose first column is a picture rather than a word. The four pictures are wildly different sizes — one nine hundred pixels across, another sixteen — and no two share the same proportions, yet the column is the width the table gave it and every row is as tall as its own text.
A picture claims no width from its column and no height from its row. It is fitted, whole and undistorted, into whatever rectangle it ends up with, and where it sits inside that rectangle is the alignment the cell already had. So a catalogue does not have to bring its images to a common size before it can lay them out.
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An invoice table, laid out across as many pages as its lines need.
What a cell can do with its own box: the margin, the border, the space inside, the background.
A cell's four sides in four different colours, and coloured fills told apart from coloured borders.
A long table handed over whole, deciding for itself where the pages break: its heading on top of every page, its footnote under every page, its grey grounds stated once for the whole table, and a note you draw under each page at the exact place the table reports.
A specification sheet whose cells are merged down the rows: each group named once beside all of its rows, with one note beside them; the thin lines stop at those cells' edges, and a note too long for the rows it covers makes them grow.
One parts list twice: four columns sharing the width equally, then the reference, the quantity and the price each as wide as their own widest cell and the description given everything they leave.